Monday, January 30, 2012
Your Child is Developing..Their Writing Skills
Friday, January 20, 2012
Our Good-will Goodwill Project
Throughout my life, I have been to Goodwill many times for many different reasons:
-Find a costume for a themed party
-Cheap materials/books for the classroom
-Home décor for my college home
-Or just to spice up my wardrobe!
THIS visit, however, added a new reason for my visit to this not-for-profit organization.
This visit was to go on a Literacy Dig for the classroom. Here, I observed and took notes of the physical environment, the people, their actions, and the language that surrounded me (both vocal and visual).
Here is a list of some of the vocabulary and phrases I noticed:
“Wow,
Cheap,
Look at these
I don’t know,
Do you really need that?,
These are hilarious!
Thank you,
Please,
Who cares?,
Gross,
Wash,
How much it cost?
You don’t need that
Goodwill
How much?
Not worth it.”
This list of vocabulary helps one understand the essence of this not-for-profit organization that “serves people with mental and physical disabilities, the unemployed, new immigrants, ex-offenders, mature workers and underserved youth” (Goodwill.com).
Essentially, Goodwill is about service.
Therefore, this community store is a fantastic place for our classroom to visit!
After we take a fieldtrip to Goodwill, we will simulate our own version within the classroom!
-We will teach and learn how to participate and contribute.
-We will teach and learn to be leaders and individuals.
-We will teach and learn how to live sustainably be reusing and recycling.
I look forward to this project-based journey with you and your child. As always, if you have any questions, comments, or desire to volunteer, I’d love to listen!
Tuesday, January 10, 2012
What is Literacy?

Sunday, November 13, 2011
An Inspiring Poem
This is not my poem!)
Dearest creature in creation,
Study English pronunciation.
I will teach you in my verse
Sounds like corpse, corps, horse, and worse.
I will keep you, Suzy, busy,
Make your head with heat grow dizzy.
Tear in eye, your dress will tear.
So shall I! Oh hear my prayer.
Just compare heart, beard, and heard,
Dies and diet, lord and word,
Sword and sward, retain and Britain.
(Mind the latter, how it’s written.)
Now I surely will not plague you
With such words as plaque and ague.
But be careful how you speak:
Say break and steak, but bleak and streak;
Cloven, oven, how and low,
Script, receipt, show, poem, and toe.
Hear me say, devoid of trickery,
Daughter, laughter, and Terpsichore,
Typhoid, measles, topsails, aisles,
Exiles, similes, and reviles;
Scholar, vicar, and cigar,
Solar, mica, war and far;
One, anemone, Balmoral,
Kitchen, lichen, laundry, laurel;
Gertrude, German, wind and mind,
Scene, Melpomene, mankind.
Billet does not rhyme with ballet,
Bouquet, wallet, mallet, chalet.
Blood and flood are not like food,
Nor is mould like should and would.
Viscous, viscount, load and broad,
Toward, to forward, to reward.
And your pronunciation’s OK
When you correctly say croquet,
Rounded, wounded, grieve and sieve,
Friend and fiend, alive and live.
Ivy, privy, famous; clamour
And enamour rhyme with hammer.
River, rival, tomb, bomb, comb,
Doll and roll and some and home.
Stranger does not rhyme with anger,
Neither does devour with clangour.
Souls but foul, haunt but aunt,
Font, front, wont, want, grand, and grant,
Shoes, goes, does. Now first say finger,
And then singer, ginger, linger,
Real, zeal, mauve, gauze, gouge and gauge,
Marriage, foliage, mirage, and age.
Query does not rhyme with very,
Nor does fury sound like bury.
Dost, lost, post and doth, cloth, loth.
Job, nob, bosom, transom, oath.
Though the differences seem little,
We say actual but victual.
Refer does not rhyme with deafer.
Foeffer does, and zephyr, heifer.
Mint, pint, senate and sedate;
Dull, bull, and George ate late.
Scenic, Arabic, Pacific,
Science, conscience, scientific.
Liberty, library, heave and heaven,
Rachel, ache, moustache, eleven.
We say hallowed, but allowed,
People, leopard, towed, but vowed.
Mark the differences, moreover,
Between mover, cover, clover;
Leeches, breeches, wise, precise,
Chalice, but police and lice;
Camel, constable, unstable,
Principle, disciple, label.
Petal, panel, and canal,
Wait, surprise, plait, promise, pal.
Worm and storm, chaise, chaos, chair,
Senator, spectator, mayor.
Tour, but our and succour, four.
Gas, alas, and Arkansas.
Sea, idea, Korea, area,
Psalm, Maria, but malaria.
Youth, south, southern, cleanse and clean.
Doctrine, turpentine, marine.
Compare alien with Italian,
Dandelion and battalion.
Sally with ally, yea, ye,
Eye, I, ay, aye, whey, and key.
Say aver, but ever, fever,
Neither, leisure, skein, deceiver.
Heron, granary, canary.
Crevice and device and aerie.
Face, but preface, not efface.
Phlegm, phlegmatic, ass, glass, bass.
Large, but target, gin, give, verging,
Ought, out, joust and scour, scourging.
Ear, but earn and wear and tear
Do not rhyme with here but ere.
Seven is right, but so is even,
Hyphen, roughen, nephew Stephen,
Monkey, donkey, Turk and jerk,
Ask, grasp, wasp, and cork and work.
Pronunciation (think of Psyche!)
Is a paling stout and spikey?
Won’t it make you lose your wits,
Writing groats and saying grits?
It’s a dark abyss or tunnel:
Strewn with stones, stowed, solace, gunwale,
Islington and Isle of Wight,
Housewife, verdict and indict.
Finally, which rhymes with enough,
Though, through, plough, or dough, or cough?
Hiccough has the sound of cup.
My advice is to give up!!!
Resource>nuratikahnabilah.wordpress.com/2009/10/14/if-you-can-pronounce-correctly-every-word-in-this-poem-you-will-be-speaking-english-better-than-90-of-the-native-english-speakers-in-the-world-after-trying-the-verses-a-frenchman-said-hed-prefer/
Inspiring and Motivational Books
As both book excerpts, Negotiating Critical Literacies With Young Children by Vivian Maria Vasquez and Castle in the Classroom by Ranu Bhattacharyya, children can become competent citizens with some teacher interventions. Negotiating Critical Literacies With Young Children focuses on how to offer teachers “a way to think about what students are learning to read and write, what they do with that reading and writing, and what that reading and writing does to them in their world” (101). This excerpt uses the interactions and confrontations kindergarteners from a Canadian school have with the even of French Café. In the excerpt from The Castle in the Classroom, the author essentially teaches the reader how to expand the writing workshop.
The students from Canada, at a school where French is no longer the second-most popular language, took action toward being included in school functions such as the French Café and “raised concern about the existing power structure where young children are not treated as equal participants in the school community”(96). Because of how the teacher chose to intervene to a student asking why they were not included in this 1st-8th grade event, she inherently “offered a space in which to change how they were positioned in the social hierarchy of their school.” This taught a fine lesson:
When a child asks a teacher a question, the teacher has choice in their response. Most often, the question will allow for 3 possible responses:
1. Treat the question with a potentially uncritical but valid answer.
2. Repose the question that positions the inquirer a little differently but can easily lead towards responding to the question with an activity.
3. Offer a critical challenge; treat the question as an opportunity for taking social action and disrupting inequity.
Curtis and his classmates ultimately created a petition and went through the process of creating social change as they strived to become equal participants within their school. “Through taking social action, the children learned not only a different way to resist and exercise their democratic abilities, but also the possibilities available through collectively working through a problem” (99).
From Canada to India, Georgia Heard, notices that Ranu’s classroom has the same learning needs as American children. At the American Embassy School located in Delhi, India, Ranu’s students are engaged in “setting the scene” for their classroom. In Castle in the Classroom, Ranu guides the reader with a beautiful description on how to really expand the child’s literacy experience. Ranu Bhattacharyya gives specific guidelines on how to engage the children in reading workshops, writing workshops, and word-study activity centers. The book beautifully illustrates the various purposes of each focused lesson. For example, in the lesson ‘Writing Descriptions of Settings,’ the purpose is “to recognize that giving voice to imagination paves the way for adding details to descriptions and makes a setting come alive for a reader.
Monday, November 7, 2011
The Power of Twitter

Thursday, November 3, 2011
Technology and Literacy


